Wednesday, May 18, 2011

Retro: Kimmer

Retro: Kimmer

Link to Retro: Kimmer

RETROKIMMER: LEAST FAVORITE RETRO TOYS

Posted: 18 May 2011 09:09 PM PDT



Probably going to hear from all the fans of the EZ Bake Oven but.... As far as I am concerned this toy was a whole bunch of work to produce a little flat cake that looked like a hockey puck.



Now how long would a kind be entertained by this dog??



Now the Ouija was completely lame to me. This toy scared little kids half to death. I flipped my board over and stuck stickers on it. So much for contacting dead uncle Charlie...



I really hated this toy... Now little Kimmer was never going to stand and pretend to cook... I still don't cook.. Talk about gender typing. Oh yeah and I used my toy ironing board as a sled. It went really fast down hill on snow!


Hands down a dumb game. We'd play one game then get in a fist fight with the other kids who hit me instead of the colored hands.. (just kidding)



Chatty Cathy? That annoying voice! They should can that voice and play it to elicit confessions out of captured terrorists! I took my doll to the basement and my brother and I gave poor Cathy neurosurgery to find out what made her talk.. I was a big old fashioned spool of metal tape.



This toy could do 2 things... swing back and forth in your hands and climb down stairs...zzzzzzz


Couldn't draw anything on the confounded box..

Will pick some more later... XXOK

VIDAL SASSOON THE ORIGINAL ROCK STAR HAIRDRESSER

Posted: 18 May 2011 08:45 PM PDT


Vidal Sassoon and his models

In the 1960s my young stylish mother took my sister and I to get Sassoon haircuts. The cuts were called 5 point cuts. Basically you short hair with sideburns cut out around the ears and often was asymmetrical as well. We thought we had the coolest hair in school (we did). No more pony tails and ribbons which I always yanked out on my way to school. (sorry Nanna...)


Sassoon blazed the path for new "retro" bob cuts

Of recent layered "bobs" and my favorite the nano "bob are the rage today. It just is plain and simple the best haircut! It is very stylish and easy to care for. Except for you need a trim in at least 6 weeks. I wear a version of the 5 point cut today.


Sassoon and designer Mary Quant

Vidal Sassoon was the biggest genius in all of the hairdressing world!



From Wiki

Vidal Sassoon, CBE (born January 17, 1928) is a widely recognized British hair stylist, credited with creating a geometric, "Bauhaus-inspired" hair style, also called the bob, a stylish and simple cut. Due to the popularity of his styles, he has been described as "a rock star, an artist, [and] a craftsman who 'changed http://www.blogger.com/img/blank.gifthe world with a pair of scissors.'"

His "wash and wear" philosophy liberated women from the "tyranny of the salon" and "revolutionized the art of hairstyling." Sassoon's styles became "emblematic of freedom and good health," and their popularity allowed him to open the first chain of worldwide hair styling salons, complimented by his hair-treatment products. He is also remembered for his television commercials in the 1960s. A documentary film about his life, Vidal Sassoon: The Movie was released in 2010.

Read More on Sassoon

MAZINGA KICKS EM OUT!

Posted: 18 May 2011 08:16 PM PDT


Chris Taylor Tony Fero Marc McFinn Al King

Hey gang, spent sometime chatting with Chris "Box" Taylor the hardest working guy on the Ann Arbor Music Scene. Box is in two bands Mazinga and Blue Snaggletooth and I love them both. I am planning on getting with Box soon to film a bit and hang out with T and baby Asheton. Asheton was named for Box's friend and hero Ron Asheton of the Stooges.


Box and Kimmer


Tony Fero Chris Taylor Jef Porkins Donald Blum Marc McFinn

Mazinga draws its inspiration from garage punk and comic books, playing in a self-dubbed style of "maximum cosmic punk." Formed in Nov. 1995, the group (who take their name from a Japanese cartoon robot) have played regionally and completed a small west coast tour. They've released a series of 7"s, and a self titled full length through small indie labels Reanimator and Spasthmatic, as well as two self released EPs. Sounding like our friends punk pioneers The MC5 and Deniz Tek's Radio Birdman, Mazinga features fast tempos, dissonant guitar work, and out of control live shows.

Mazinga on Myspace

THE ENRAGED SHALL INHERIT THE EARTH

Posted: 18 May 2011 07:58 PM PDT



Many of my friends and readers called and wrote in asking if Cary Loren was going to bring his Destroy All Monsters Magazine exhibit to the Detroit Area. Cary sent me a gig he is doing here and this art exhibit looks very hot to me.... THANKS CARY XXOOK



THE ENRAGED SHALL INHERIT THE EARTH

PUBLIC POOL ARTSPACE
3309 CANIFF
HAMTRAMCK, MI 48212 ・
hello@apublicpool.com
313-405-POOL

Special programs run throughout the length of the show, which includes live Michigan noise performances and a talk between artist Cary Loren and art critic Vince Carducci.

The planet is on fire. The best artists range in all corners of this holy, raging mess, bringing to ground work that attacks, combusts, punishes and compels. Subcultural headwinds result. A terrible beauty swarms among us, where it remains active, undisturbed and largely undetected.

The Enraged Will Inherit the Earth features Detroit artists lurking in these fertile borderlands. They bring love from outer space and find inspiration in degraded tree bark. Their art goes right to the core of the human animal. Even before that, in some cases, into more primordial realms. It's wild and free, nervous and brash, fungal and moist, hypnotic and unshakeable.

The group of artists featured here are all involved with music, or have been touched by it, and contribute sound-inspired visual pieces that will hang at Public Pool for six weeks.

There will also be special events associated with the exhibition that include live performances, and a talk between Cary Loren and art critic and Kresge fellow Vince Carducci as part of the Detroit release for Loren's collection Destroy All Monsters Magazine 1976-1979.

Featured Artists and Official Website

[New post] HENRY ROLLINS GIVES A GLIMPSE INTO KILOWOG’S TRAINING DAYS IN GREEN LANTERN: EMERALD KNIGHTS

HENRY ROLLINS GIVES A GLIMPSE INTO KILOWOG'S TRAINING DAYS IN GREEN LANTERN: EMERALD KNIGHTS

dailypop | May 18, 2011 at 8:52 pm | Tags: green lantern animated dc comics, henry rollins | Categories: Green Lantern | URL: http://wp.me/p4kUt-2CY

Official press release below:

Singer/Actor/Spoken-Word Artist provides back story for Beloved Drill Sergeant in All-New DC Universe Animated Original Movie Coming June 7 to Blu-Ray™, DVD

Henry Rollins is so many things to so many people.

Henry Rollins voices Kilowog in Green Lantern: Emerald Knights

One moment, he's the uber-tattooed punk rock front man for Black Flag or The Rollins Band; the next, he's stealing the spotlight as one of the memorable cast of Sons of Anarchy; and while that's airing, he's ranting live for hours to sold out crowds as one of the most popular spoken-word artists of our day, easily translating that mad-as-hell attitude and undying curiosity into his thought-provoking KCRW talk show. His quarter century of globe-trotting has recently added National Geographic to his resume, the latter day Renaissance man now filming documentaries for the renowned publication.

Intelligent? Beyond your dreams. Intense? Absolutely. Restless? Without a doubt. But does Henry Rollins ever pause long enough to be playful? Animation fans know it all too well.

When he isn't perusing the Sudan, performing in Prague or recording for public radio, Rollins takes to another of his true passions: voiceovers for animated projects.

Rollins' latest animated incarnation is in the guise of Kilowog for the next DC Universe Animated Original Movie, Green Lantern: Emerald Knights. Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, Green Lantern: Emerald Knights will be distributed by Warner Home Video on Blu-Ray™, DVD, On Demand and for Download June 7, 2011.

Rollins voices one of the most beloved characters in the entire universe of Green Lanterns – Kilowog, the hardcore drill sergeant-style trainer of Green Lantern recruits. Written by Peter J. Tomasi (based on "New Blood" by Tomasi & Chris Samnee) and directed by Lauren Montgomery, the "Kilowog" segment of the film depicts the gruff character's initial days as a young recruit under the abusive tutelage of Deegan, an equally gruff character who shows Kilowog the true "tough love" principles of training. As the segment play out, Kilowog must assume an integral leadership role within the ranks.

Green Lantern: Emerald Knights is far from Rollins' first venture down the animated path. For Warner Bros. alone, Rollins has recorded over the years for Batman Beyond, Teen Titans and Batman: The Brave and the Bold. And then there's his more recent forays into voiceovers for series like Cartoon Network's Adventure Time and the primetime series American Dad!

Green Lantern: Emerald Knights weaves six legendary stories of the Green Lantern Corps' rich mythology around preparations for an attack by an ancient enemy. As the battle approaches, Hal Jordan mentors new recruit Arisia in the history of the Green Lantern Corps, telling tales of Avra (the first Green Lantern) and several of Hal's comrades – including Kilowog, Abin Sur, Laira and Mogo. In the end, Arisia must rise to the occasion to help Hal, Sinestro and the entire Green Lantern Corps save the universe from the destructive forces of Krona.

Rollins is joined in the voicecast of the intergalactic animated film by Nathan Fillion (Castle), Elisabeth Moss (Mad Men), Jason Isaacs (the Harry Potter films), Arnold Vosloo (The Mummy), Kelly Hu (The Vampire Diaries), Wade Williams (Prison Break), professional wrestling legend Rowdy Roddy Piper and Radio Hall of Fame commentator/talk show host Michael Jackson.

No stranger to the spoken word, Rollins spent some significant time after his initial recording session chatting about his character, his love of great literature, Too Much Coffee Man, his need to travel the Earth, and much, much more. Read on …

QUESTION:
How did you approach the character of Kilowog for this story?

HENRY ROLLINS:
For me, Kilowog is a man who's pure of heart. He's a warrior. He's a soldier. And he loves his rookies. Deegan is the guy who broke him in – in boot camp – and kind of brought him into command position. So Kilowog came up through the ranks by being brave and by being a take-charge leader. In the Kilowog segment, you see that he had a grasp of the leadership idea from the get-go. He's with other recruits and he immediately takes the leadership position. So I think he's a good guy, but he always knew he was gonna be running things.

QUESTION:
Were there any challenges to finding the character for you?

HENRY ROLLINS:
I assumed what the character needed before we went in. I said, "Andrea (Romano), this guy has a flat top, thick neck, but he's a good guy and if you get past all the yelling, you know he's got a good heart." She said, "You got it. That's, that's the guy." So I kind of had him dialed in and then we went forth.

It was really just finding his subtleties working with the great direction of Andrea. The character, for me, wasn't all that hard to find. He's not a complex guy. He takes his orders. He gives orders. He knows right and wrong. He takes care of bad guys, and keeps people alive. On that level, his life is pretty simple.

QUESTION:
You're so often a one-man show, or at least the leader of the band. What's it like to be directed by Andrea Romano?

HENRY ROLLINS:
I've been working with Andrea for well over a decade, and it is one of the fun moments of my year when I get the call. Watching her work with a whole group of people is like watching a combination of air traffic controller, director and producer all at once. And she has as much fun or more fun than all of us combined. Her level of energy is quite remarkable. I've done every kind of voiceover with her – entire casts, one on one, Batman Beyond, Teen Titans – and she always brings a tremendous bolt of energy. It's infectious and it's fun. It's like she always says, "Thanks for coming in and playing." Andrea really allows you to have fun with it and not take yourself too seriously, which allows you to work really hard.

QUESTION:
You're such an intense, intelligent, driven individual who actively lobbies for so many worthy, worldwide causes. Do voiceovers for animation fulfill some sort of need for play, or does it offer another challenge?

HENRY ROLLINS:
The reason why I come and do voiceover, for animation or documentary or whatever, is because I'm really not suited for it. And so I have to somehow pass myself off as someone who can actually pull this off. It makes me work really hard, and I love the challenge. I've been in a lot of films, and yet I've never taken an acting lesson. I've done a lot of voiceovers for all kinds of things, and I've never taken any lessons there. I've just shown up with a whole lot of enthusiasm, a great fear of failure, and a desire to please the people who have somehow trusted me to do the work.

I come from the minimum wage working world of the late '70s, early '80s, so stuff like this, to me, is gravy. It is so not standing on my feet, carrying something to the back of a truck. I know how to do all of that. Many of us do. So, for me, it's just a really fun thing. There's pressure certainly to perform – not the same pressure that I take out on stage every night, when there's a lot of people who are there to hear me or see me.

The voiceover thing, in order to be good at it, you have to have a laugh at yourself. I mean, you're doing funny voices. We're larger than life here. So you have to throw your seriousness away and be able to laugh at yourself. You have to throw out your ego. The more I do it, the more I realize that you have to approach it that way – and then you get super involved in the moment. I think that's what the job requires. You have to think "Oh, no, here comes the meteor storm. We've got to go." When I'm doing something like that, believe me, I'm really in that moment. When you can throw away your self-importance and have fun with it, that's when you really deliver."

QUESTION:
What's your motivation to perform in this odd world of entertainment?

HENRY ROLLINS:
Like many of us in the entertainment world, I think we are making up for the lack of attention that we did not get as kids through the need for attention and approval from an audience. I tell audiences now that I'm only here for your attention and your approval. I need you way more than you'll ever need me. And you'll be done with me way sooner than I'll ever be done with you. It's a pity. And welcome to the show. (he laughs) And it's so true.

QUESTION:
Are you more comfortable performing in front of large groups or alone in a studio with you and the microphone?

HENRY ROLLINS:
I love being in front of tons of people, and I really enjoy being one-on-one with the microphone. I love both micromanaging the part, and having the ability now to give the director exactly what he or she wants, and then really being able to nail it. In the booth it's fun because they're directing you, and you're trying to hit those notes. It's like Andrea will say "Can you lighten it up just a little? Remember, you're kind of sad, because on page 11 you had that thing happen." And then you can dial in with such extreme subtlety that she can hear it and go, "That's what I needed. Thank you very much, we're moving on." To be able to deliver that is really enjoyable.

QUESTION:
Did you read comics as a kid?

HENRY ROLLINS:
I was not a comic book-guy growing up. My stepbrother had them. I would look at them with not a great of interest. My first job was throwing newspapers for the long-defunct Washington Star. I'd throw 80,000 tons of newspaper a year for about $4.60. So I've got maybe $12 to my name, but I was a kid, I didn't know what to do with it. And so I went to the drugstore and I bought a couple of comics. I dragged them home, and I looked at them. Quite honestly, it didn't do much for me, and I've never gone back except for when someone sends me the odd modern comic.

A few years ago, I did come across this character called "Too Much Coffee Man." And he used to worry about the world. He had a coffee cup strapped to his head. I eventually made friends with Shannon Wheeler, who draws the comic. He illustrated a book for me – putting some illustrations at the beginning of each chapter. And Shannon used to kindly send me these collections of "Too Much Coffee Man." But that's the only comic I would really pay attention to, because I like the idea. "Too Much Coffee Man" has a lot to say. He's a great apocalyptic philosopher for our very troubled times.

QUESTION:
Comics don't have an impact on you, but do you believe they have a social relevance for society?

HENRY ROLLINS:
I think that it's important for young people who are maybe sensitive. Maybe they're not gonna be the quarterback and they're not gonna get the pretty cheerleader to go to the senior prom. But it's great for them to have an escape. Because some people who are often aren't the one who can throw the football the furthest, they have interesting minds. And I think that comics help someone with an imagination have fun and play around … I think anything that inspires young people to have imagination – it's what gives you things like, oh, the Internet and renewable energy. And progress. So I think anything that is a seed to imagination, that enhances imagination, I think is safe.

Growing up, I loved great literature. I lived for your Steinbecks and your Hemmingways as a kid, and I read them all again as an adult and got the better version of the story. My comic books were reading things like the The Grapes Of Wrath, and stuff like that that my mom turned me on to. So I understand anything that makes the imagination go as being a good thing.

QUESTION:
You spend more days of the year on the road than you spend at home, and mostly in places few would consider a vacation spot. Why?

HENRY ROLLINS:
Because the world is interesting. I've been touring since I was 20, living all over the world as often as possible. Being home is nice for about 72 hours. Make the dinner I'd like to make, open up the things I got on eBay and Amazon.com, eat at the favorite sushi place. And then after about three or four days of that, I start feeling it's a grind, and the world is waiting for me. It's life on pause. Meanwhile, time is ticking by. And I figure at some point when I'm 80 or 90, there will be time to sit around and go, "Oh, man, I'm tired."

But as long as I have sap in my bones, the African continent is going like, "Henry, you haven't come to Gambia yet. How come you haven't gone to Chad yet?" Or Yemen is calling and saying, "It's a little rough, but you should check it out." That's why I go into the world as often as possible. Thankfully, my work takes me far and wide. And then I just invent stuff. I just come up with ideas. I know people in different places. I do a lot of travel with the USO, so that gets me to places like Iraq, Afghanistan, Kuwait, etc.

watch?v=zNihr7gPro0&feature=fvsr

I'm the first and only ever USO performer in Egypt. They've never sent anyone into Egypt before. But I said, "Let me be the first." And so I went in across the Sinai. For me, this is all fantastic – to go to these places, meet people, dig the culture, dig the music, dig the food, get lost in souqs and bazaars and streets. And so far I have not had to run for my life. A mortar attack in Baghdad wasn't the best thing that ever happened to me.

But by and large, my travel has enriched my life. Coming from the minimum wage working world of the last century, this is all great opportunity. So I don't "no" to the work, and I don't say "no" to my curiosity.

QUESTION:
Is there a super hero or villain role you truly covet?

HENRY ROLLINS:
No. I'm happy for anything that would come my way. And I'll be so happy if someone said, "Here is three years work on this series and you get to be that guy." It's all been so much fun. There's nothing I'm wanting to do but more.

Pre-order Green Lantern: Emerald Knights

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[New post] More clues about Doctor Who - The Rebel Flesh

More clues about Doctor Who - The Rebel Flesh


The second script from Life on Mars creator Matthew Graham is on its way this Saturday and rumor has it that it will be a return to the traditional Doctor Who two-parter formula and deadly terrifying as well. Apparently there is a heavy influence of the Troughton era, which suits bow-tie aficianado Smith perfectly. This could refer to the monster era of the program which centered on horrifying enemies and base-under-siege situations. It's by the basics Who, but that's not a bad thing, surely.

Like a couple of readers on this blog, I count myself in the apparently tragically small numbers of fans unhappy with last week's episode. The previews for this story look to be more my cup of tea, hopefully others will agree.

Via NME:
Doctor Who writer Matthew Graham has described his upcoming episode in the series as "unpleasant". Graham, who co-created Life On Mars, has written the two-part story The Rebel Flesh and The Almost People, which begins this Saturday (May 21).

And he has described the story as "epic" and "scary", saying he would not be surprised if the BBC broadcasts a warning before it.

He told Den Of Geek: "I showed it to my wife the other night and there were a couple of images in it where she went, 'Actually, that's quite scary. That's not very pleasant.' I also notice that that it's going out a bit later. I wouldn't be surprised if they put a warning out beforehand."

He also expressed his desire to return to the show, saying: "I had such a good time on this run that I would love to come back and do some more. They seem very, very pleased with the episode, so I hope they'd consider asking me back."

watch?v=wO5PcAuHhbk

Spoilers, clues and hints below...

Via SFX:
1 It's this season's most trad-Who episode so far, but whereas last year's "trad" story (the Silurian two-parter) was Pertwee era, this is straight out of the Troughton years. Appropriately Matt Smith is at his most Troughton-esque.
2 It also evokes memories of "The Impossible Planet". There's a lot of exposition to start with, but it soon becomes very pacy claustrophobic, creepy and full of powerful, well-written character moments for the guest stars and striking images.
5 Rory fails to score a double
8 The Doctor uses his sonic screwdriver when simply reading would suffice
9 The Doctor reveals he's a fan of someone
12 Random words: "Poncy", "cockerel", "welly-boots", "football"
13 The Doctor loses two of something
14 The Doctor says something again we've never heard him say before
15 Beware the oncoming storm

Additionally...

Via Life, Doctor Who and Combom:
- Gangers have found out how to reproduce themselves.
- Telling the difference between Gangers and humans becomes impossible.
- Eye patch woman is back.
- Theres going to be a war between humanoid and Gangers.
- Jennifer shows the Doctor around.
- They hear a Dusty Springfield song.

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Top 15 Trends + 2 days left on the Trend Report sale!

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Greetings Trend Hunters!

Trend Report Sale - Just 2 Days Left - We had a huge response to our Trend Report Sale, which lasts for just 2 more days. If you've thought about subscribing, this is a good time because we don't usually ever have sales... however, we're celebrating 500,000,000 views! Basically, instead of paying $1,780 for our combo TrendReports.com / Trend Hunter PRO subscription, you can get it all for $1,280 (a $500 discount). You'll get 1 year of access to Trend Hunter PRO, and be able to download 50+ categories of our 2011 Trend Reports. But act quickly, because the deal ends in 2 days. ORDER TODAY

This week, I was on Fast Company with a video about 5 Inspiring Steps to Innovation. Also, I was on Breakfast Television with a rad feature about Trend Hunter.

Disguised Accessorizing is this week's PRO Trend, with a score of 9.1. The implications: Taking the idea of the hidden identity to the realm of fashion, designers are creating masquerades and masks to appeal to the consumers who are looking to keep what defines them a mystery. Providing people with an outlet to take on a fashionable secondary character, these disguises may be mirroring the facades that are often present in the virtual world. Some examples:


Pearl White Masquerades

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Masqueraded Beautorials

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Stocking Face Masks

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Fierce Metallic Masquerades

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Enjoy!

Jeremy Gutsche, Chief Trend Hunter (@jeremygutsche)

P.S. If you're wanting to track me down, here's my innovation keynote schedule:
May 18 - Los Angeles
Jul 27 - Saskatoon
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Oct 26 - Orlando
Jan 26 - Louisville

More details HERE.






Top 15 This Week
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1. 56 Cool Camping Shelters


2. 16 Femme Fatale Looks


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4. Tuitionless Ivy League Education


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